Billie Holiday - Complete Commodore Remasters
Billie Holiday was probably the most lyrical and expressive female vocalist in jazz history. This set compiles her complete sessions for the legendary Commodore label. Made between Billieās contracts for Columbia/Okeh and Decca, these recordings present her in top form, backed by excellent small groups featuring such names as Frankie Newton, Freddie Webster, Tab Smith, Vic Dickenson, Eddie Heywood, and Sidney Catlett.
Among the highlights of the set are Billieās first version of the shocking āStrange Fruitā, which she used to conclude her stage performances, as well as readings of famous standards she would never record again, such as āAs Time Goes Byā and āIāll Be Seeing Youā.
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Billie Holiday - Complete Commodore Remasters
Billie Holiday - Complete Commodore Remasters
Billie Holiday was probably the most lyrical and expressive female vocalist in jazz history. This set compiles her complete sessions for the legendary Commodore label. Made between Billieās contracts for Columbia/Okeh and Decca, these recordings present her in top form, backed by excellent small groups featuring such names as Frankie Newton, Freddie Webster, Tab Smith, Vic Dickenson, Eddie Heywood, and Sidney Catlett.
Among the highlights of the set are Billieās first version of the shocking āStrange Fruitā, which she used to conclude her stage performances, as well as readings of famous standards she would never record again, such as āAs Time Goes Byā and āIāll Be Seeing Youā.
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Description
Billie Holiday was probably the most lyrical and expressive female vocalist in jazz history. This set compiles her complete sessions for the legendary Commodore label. Made between Billieās contracts for Columbia/Okeh and Decca, these recordings present her in top form, backed by excellent small groups featuring such names as Frankie Newton, Freddie Webster, Tab Smith, Vic Dickenson, Eddie Heywood, and Sidney Catlett.
Among the highlights of the set are Billieās first version of the shocking āStrange Fruitā, which she used to conclude her stage performances, as well as readings of famous standards she would never record again, such as āAs Time Goes Byā and āIāll Be Seeing Youā.













